Love, from Kent, Ohio.
EDIT:
I'm not really sure how to comment so my response is...
We mix our own clay from dry. (or you can mix from slop if you want a mish mosh of everything and then some.) I use smooth white stoneware. EPK, Neph Sye, OM4 Ball, Gold Art (an Ohio white stoneware), and occasionally some free silica. It's simple enough. Although I have some issues with the plasticity of it, being raised in super forgiving boxed clays and all.
And Ethan...
I'm thinking of something translucent because of the underglaze decoration. Also, I may play around with underglaze colors. I really have no clue. I haven't thought about it a whole lot because I've been focusing on form and quality. I also haven't done any glaze testing this semester either. I want glazes that run just enough to mix with eachother, but not run off the pot and fuse to the kiln shelf. (causing much grief over grinding) Over the summer I tested a few things, including some of our class glazes from high school. Either something is off with the kilns here or I mixed them poorly because none of the class glazes came out of the kiln as they should, which was disappointing. I got good results out of a lavender glaze, a light mustard-colored matte yellow (nice glaze, but a color i would never use), a dark green with metallic spots (Val Cushing Starshine), and a few others that are not so notable. Lavender is the only one that I'm that excited about. So who knows how my cups will turn out in the long-run...
I would really like to hold some of those cups. Porcelain? b-mix? The proportion looks great, and i love the subtle decoration. i've got some new mug shapes going as well. let's trade. :)
ReplyDeletelooks great, kirsten. i really like the feet on your more delicate- looking cups. they're starting to take on a very feminine quality. what kind of glazes are you looking at for this stuff?
ReplyDeletewhich class glazes didn't come out right?
ReplyDelete